Metropolitan opera der rosenkavalier9/6/2023 It was not an evening of transcendent singing, and there were some awkward exaggerations and characterizations. Many of these requirements were satisfied on this occasion. And the opera is just as dependent on ensemble work, on the establishment of subtle relationships, on giving life to the details of the score. It is more nostalgic than either of those works it hedges its bets, neither defusing nobility as in "Figaro," nor radically mocking its affectations as in "Falstaff." But the point is made just the same. "Der Rosenkavalier" is a strange mixture of "The Marriage of Figaro" and "Falstaff," a comic story of the undoing of nobility's worst pretenses and privileges and the establishment of a new kind of nobility, based on character. ![]() If so, they missed a deft performance of the work. ![]() ![]() There were apparently some Metropolitan Opera ticket-holders who did not attend the season's first performance of Richard Strauss's "Rosenkavalier" on Monday evening because Kathleen Battle, in a quarrel with the company, had pulled out of her appearances as Sophie.
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